DISCLAIMER: The Star Trek characters
are the property of Paramount Studios, Inc and Viacom. The story contents are
the creation and property of Djinn and are copyright (c) 2013 by Djinn. This
story is Rated PG-13.
The Price of Valor
by
Djinn
Kirk
doesn't want to walk into the isolation cell, but he forces himself to. Chris
is sitting in the corner of the room, head cocked at an almost painful angle, one
arm bent as if it's broken.
She
sees him and says, "Have you brought cookies?" Her voice is the
strange singsong it's been since he got her back from the bastard who believed
exploration equaled trespass.
And
trespass on his planet required suffering.
"No,
no cookies." Kirk has no idea who Chris thinks he is today. But he sits
across from her on the padded floor and takes a deep breath. "How are you
feeling?"
"I
made sunshine out of antimatter." She leans in, a broken smile on her
face. "Don't tell. They'll be very irritated with me. They don't like us
using antimatter in experiments."
He
tries to smile. "It'll be our secret."
"You
promised cookies last time." Her look is almost her old one. Accusing and
teasing. He's struck by how she can switch to nearly normal for these brief
seconds.
And
then revert right back to madness.
He
gives her a tired smile. "The mess hall was out of cookies. I'll bring some
later. The cook is making gingersnaps just for you."
"The
thin kind? I love those. With a big glass of milk?"
"Just
like that. The way you like it." They used to eat those in bed, crumbs be
damned. Washing the spiciness away with the milk. People who think he lives on
the edge since he stole his ship back from Decker would have been shocked to
see the easy domesticity they enjoyed.
He
sleeps alone now. Has for a month. While the woman he loves paces a padded
cell. Or worse, sits like this, tangled like a spider, spouting nonsense.
Or
worst of all: occasionally making sense. Giving him hope.
"If
I'm very good," she says, "will you promise to let me walk in space?"
He
closes his eyes. He hates this question. She asks it often. "No, Chris."
"It
would be fast. No suit. No mask. Just push off and float." She gives him a
smile so beautiful it hurts. "I wouldn't be here anymore. I'd just go to
sleep."
She
wants to die. She's crazy from what the alien did to her, but she knows enough
that she's wanted to die since Kirk got her back.
And
the hell of it is she sacrificed herself for his ship, for his crew, for him. "Someone
had to pay," the alien said, so she stepped forward, and the alien beamed
the rest of them back.
Kirk
loves her for it.
He
hates her for it, too.
He
hates himself more, though. That he didn't realize the alien would send the
rest of them away as soon as she volunteered. That he was stupid enough, even
once it was done, to think he could get her back before the alien could hurt
her. Spock and Scotty thought so, too. They'd beamed in so easily, beaming her
out wouldn't be that much of a trick.
They
were wrong. She paid the price. He had to watch.
If
he could go back and kill the alien, he would. But Starfleet has warned him
off. Told him to lay down some warning buoys and move on.
He
can imagine their thought process. So he's down a
doctor? Not that big a deal. Not when it might have been him or Spock or Mister
Scott. The only other three on the landing party. And why she stepped forward. "You're
too important to lose, Jim. All of you—more crucial than I am."
He
wanted to argue with her—did argue with her. But she was right and they all
knew it—not that it would have stopped him from stepping forward if she hadn't
beaten him to the punch and that goddamn alien hadn't beamed them—
So
much easier to blame the alien.
Starfleet
Command thought it was the logical choice, too. They gave her a commendation
for valor; Kirk's still waiting to give her the medal.
They
don't know she was his lover. They don't know he's at loose ends without her. They
don't know he's fully aware she should be in a Starfleet facility, and yet he
can't bear to send her away.
"I
love you, Jim." She is, for a moment, his Chris—and she knows him, which
breaks his heart. She's staring at him with a look of worry, as if she can read
the track his thoughts have taken.
"I
love you, too, Chris." He reaches out for her, but she's already gone,
head thrown back, rocking against the wall, reciting a periodic table she's
made up that appears to be comprised solely of cocktails.
He
gets to his feet slowly. "I miss you, Chris."
She
doesn't even look at him as he backs to the door and rings for the nurse to let
him out.
##
Spock
sits across from Christine, trying to make sense of the tangled logic that
comes out of her. He wants to give her back to Jim. Wants that more than
anything.
He
was the one who suggested they explore what he had designated Sardris VIII, but what the alien called simply home. He
feels...guilty.
And
this woman became his friend, once she was no longer interested in him, once
she was his best friend's love.
"Does
it hurt?" Christine leans forward, studying his ears. "How did they
make them pointed?"
He
sighs. "I was born this way. You know that, Christine."
"Hmm."
She does not sound convinced. "I invented a song. But if I sing it, the
sun will explode."
"Which
sun? There are many stars central to stellar systems. Or are you referring to
the terran Sol?"
She
stares at him. "Your ears must hurt. You sound very cranky." She
begins to walk her fingers up the padded wall, singing about a miniscule
arachnid and a waterspout.
"I
take it that is not the song in question?"
"Of
course not. I'm careful. I wouldn't want to hurt anyone."
He
frowns, watches her in silence for a long moment, then quietly says, "You
were hurt."
She
stumbles over the song.
"You
were hurt very badly."
"Don't
remember."
"I
think you do." He leans forward. "The sun...did your sun explode?"
"No
sun. No sun exploding."
"You
said it for a reason, Christine."
She
stares at him, then leans in, and says, "It's a powerful song." They stay
like that for a moment, then she yells, "Boo!" and slams herself back
into the wall, rocking furiously.
He
forces himself to sit, not moving, not reacting to her mania.
Finally,
she calms. "There were supposed to be cookies."
"What
kind?"
"Gingersnaps."
Jim
was asking the cook to make some earlier. He had wondered why. "I'm sure
there will be some later."
"Before
the sun explodes?"
"I
thought you said you were not going to sing?"
"It
might explode for some other reason." She curls up like a cat at his feet.
"Why can't I go for a walk?"
"Because
you want to go for that walk in space."
"I'm
tired, Spock."
It
is the most cogent thing she has said all day. He takes a chance, lays his hand
on her head as lightly as he can, trying to read her. All he feels is the same
chaos he dealt with when she first came back, when they thought a meld might be
enough to reach her, to bring her back.
"Where
would you go on your walk?"
"To
the sun."
"The
one that is about to explode?"
She
nods.
He
is sure this means something. He just cannot figure out what it is. He lifts
his hand from her head. "You rest."
As
he pushes himself to his feet, he hears her ask, "I make him sad, don't I?"
He
does not ask her who she means, says only, "He is glad you are alive."
"Big
liar." Her tone is almost the one of old, of the woman who teased him from
beside Jim's side.
##
Uhura
sits down on the padded floor and studies her friend. The captain is too close,
wants too much. Spock feels too guilty, will push too hard.
They've
told her there's nothing she can do.
But
they're boys. What the hell do they know?
"Christine?"
She stretches out on the floor, the same way she would if they were having a
girls' night in one of their quarters. She lies quietly, humming for a moment,
then softly sings, "A kiss on the hand may be quite continental..."
Christine
is writing words with her finger on the wall and doesn't stop, but she does
softly sing back, "but diamonds are a girl's best friend."
Uhura
smiles. She rolls to her stomach, rests her chin on her hands. "I miss
Jan, don't you?"
Christine
ignores her.
She
digs a piece of Christine's favorite candy out of her pocket—or it used to be,
until she ate too many and got sick. That was during Med School, while the Enterprise was in refits.
"Chapel,
bet you can't eat just one." She holds up the white chocolate square.
Christine's
reaction is instantaneous, her expression one of disgust.
So some things get a rise out of her. Some things
she can even join in with. Other things might as well be silence. This will
take a while to figure out: what moves her and what doesn't, but Christine
helped Uhura after Nomad wiped her memory; this is the least Uhura can do to
repay her.
She
rolls to her side and studies Christine as she continues to write on the wall. Remembers
what it was like watching her friend suffer, watching the captain rush up to
the bridge—the alien beamed him and Spock and Scotty back once the choice was
made. "The alien made us watch, Christine. It was on every screen. We all
knew what you were doing for the others."
Christine's
hand falters for a moment, and Uhura takes note of that.
"You
were brave. He hurt you so badly." She looks down. "I thought the
captain was going to go through the viewscreen to get you. He left the bridge
without assigning the conn when you beamed back. He never does that."
"Sun
exploding."
"What?"
"The
sun exploded. I sang."
"You
screamed, Christine. Anyone would have." She moves closer. "No
one—not even Spock—could have withstood that in silence. Believe me. He told me
that."
"If
I sing again, the sun will explode."
"What
does that mean, honey?"
"I
wrote a poem. See?" She runs her hands over the wall where she's been
scrawling her invisible letters. "It's a love poem. To death."
"Why
would you write a love poem to death?"
"Death
was supposed to come for me, but he didn't. Maybe he needs to be wooed?"
"No,
baby. He doesn't need to be wooed. You're not dying."
Christine
looks at her, and her eyes are completely lucid. "Sometimes dead things
don't fall down right away."
Uhura
finally understands the bleakness of Kirk's expression, the utter despair she's
caught on his face the last few days. "You're not dead." She watches
Christine for a long time, finally says, "I should go. But I'll be back."
"Do
you think he'll like my poem?"
"Death
isn't coming for you, Christine. The captain won't let him."
Christine's
face changes to an expression that matches the captain's in bleakness. Then she
turns back to the wall. "I'll try again. Something prettier this time."
##
Kirk
sits across the room from Chris; he's exhausted from too many shifts during a
diplomatic crisis that required round-the-clock monitoring and a lot of
posturing at red alert. The floor is soft, surrounds him, and the walls do too,
so he closes his eyes.
A
moment later he's jarred awake by the feeling of Chris's head in his lap. She's
curled up beside him, lies staring up at him. Her eyes, for once, don't seem so
crazy or maybe he's just too tired to see her for what she really is. He
reaches out slowly, lets his hand settle on her hair.
She
smiles. "You finally came."
"I've
been here all along."
"No,
not you. Him. Just over your shoulder. Death."
Kirk
shakes his head. "I chased him away. Again."
"You
should stop doing that." She reaches up, puts her hand over where his lies
on her hair. "He could give us peace."
"No,
Chris. Death isn't peace. Death is just death." He lets his eyes shut. He
knows it's not recommended to fall asleep in here with her, but he's too tired
to care.
When
he wakes, hours later, he's curled around her on the floor like they're a pair
of wild animals. He lies there for a long time, before he kisses her neck and
leaves her with a murmured, "I love you. I miss you so much."
##
Spock
sits with Christine, mirroring her movements. He is irritating her, but it is
something he has not tried yet, and it is getting more of a reaction than
anything else he has done.
She
glances over at him as he writes on the wall the way she is doing, stops
abruptly and sits very still, staring at him.
"Christine,
what do you remember from Sardris VIII?"
Her
expression changes. He realizes he has taken her by surprise.
"Were
the restraints metal or some kind of polymer?"
For
a moment, he can see the face of the woman he knows. And she looks crushed that
he would ask her this. "Steel, I think," she nearly spits at him, and
then she slams her hand into the wall. Does it again and again.
The
fabric is too thick to allow her to injure herself, but the burst of energy
seems to have calmed her. She goes back to writing on the wall with her finger.
"Where
did the alien strike you first?"
She
ignores him. Even starts to sing something, a song about diamonds—an odd choice
of subject.
"Christine,
why will the sun explode?"
"Sun
didn't. No sun."
He
frowns. "But if you sing, it will, will it not?"
"I
was wrong." She gets up, begins to pace. Then laughs. "I miss Jan,
don't you?"
"I
did not know Chief Rand well enough to miss her, Christine."
She
looks lost, as if she is searching through her memories for something. Finally,
she whispers, "Bet you can't eat just one."
He
has no idea what she is talking about. Her logic is, as ever, convoluted. He
sighs and gets up. "I will see you soon, Christine."
She
is still standing there, looking lost, when he glances through the small window
once he is outside the cell.
##
Uhura
comes in and finds Christine sitting quietly in the center of the room.
"Shhh," she says. "Don't scare him off."
"Who?"
"Shhh. He's—" Suddenly she's up and running the short
distance across the cell, stopping as she crashes into the wall, the fabric
bouncing her back. She lands on her rear, scuttles back and glares at Uhura. "Damn
you. I waited hours for him."
"Who,
Christine?"
"Couldn't
you see him?" Christine lies down and buries her head in her arms. "I'm
tired of being the only one who sees things."
"I'm
sorry." She reaches out and strokes Christine's hair. "Can you tell
me who he was?"
"He
had a piece of me."
"He
wasn't death?"
"No."
Christine rolls over and stares up at the ceiling. "Pieces of me fell off.
Every time I...screamed."
"Does...Jim
know that?" It's hard to call the captain by his first name. He's never
told her to, but she's afraid she'll knock Christine out of the conversation if
she calls him anything else.
"He
knows I'm missing. He doesn't know where to look to find me."
"Do
you know where to look?"
Christine
shrugs. "Not if they're going to run away before I can get my pieces back
from them."
"Do
you think Spock could help?"
"He
looks inside me. The pieces fell off." She curls up, putting her head on
Uhura's lap. "Help me find me, Ny?"
It's
the first time Christine has called her by name since she's been in this cell. "I
will, honey. We'll find you."
"So
many pieces." She closes her eyes, her breathing slowing. "Sing to
me?"
Uhura
sings lullabies and slow, soft songs. She keeps singing long after Christine
has fallen asleep.
##
Kirk's
had a shitty day and he comes into the cell, sees Chris sitting on the floor,
looking as if she's going through an imaginary jigsaw puzzle, and he slides
down the wall and puts his head in his hands.
"Where
is it?" she asks. "I need it. Give it back. That piece is important."
"Jesus."
He pulls his knees up and tries to make himself as small as possible.
He
nearly jumps out of his skin when he feels her touch his cheek. Opening his
eyes, he sees her studying him, her expression far from lucid but somehow
kind—somehow forgiving. When it shouldn't be. Because this is his fault. This
is all his fault.
He
strokes her hair. "Sweetheart, I'm so sorry."
She
leans into his hand.
"I
shouldn't have left you there. I should have stayed. I was going to, but you
got the jump on me—because you always know what I'm going to do. I'm supposed
to protect you, not leave you with a...monster." He
blinks back tears—tears he's held inside for all this time. Tears that he can't
hold back now. He gives up and lets them flow.
She
wipes them off his cheeks. "You're missing pieces, too."
"Sure.
Okay," he says, and his voice comes out broken.
"No,
we'll find them." She leans in, kisses him gently on the mouth, and he knows
it's not advisable to let her do that, or to open his mouth to her when she
deepens the kiss, but he's so lonely, and he misses her so much, that he does
it anyway.
The
way she's kissing him, he can almost forget that things aren't the way they
used to be. But he mustn't forget that. He can never let himself forget that.
She
pulls away and smiles. "I'll look for your pieces, too. They're different
than mine."
"Okay,
Chris." He takes a deep breath; it's ragged, more a sob than an inhale.
She
smiles sadly—the look he grew to know when she was a nurse. The lovely smile
that meant compassion and care and no judgment. Then she moves to sit next to
him and takes his hand. "It may take me a while to find them. I'm not at
my best."
He
nods and wipes the tears from his face.
She
puts her head on his shoulder, and he wraps his arm around her. They sit like
that for a long time.
##
Spock
sits in the middle of the cell, watching as Christine carefully paces out a
perfect square, making tight right faces as she corners.
"Are
you serving a purpose?" she asks, not looking at him, staring down at the
ground as she places her feet carefully.
"Are
you angry at me?"
"No."
She suddenly does an about face. It is perfectly executed and she smiles. She
begins to walk the square from the other direction. "Some of my pieces
hide this way."
"Is
that so?"
She
stops, stands very still, then turns her head to look at him. She studies him
as if he is an experiment—one that has begun to smell bad.
"Are
you sure you are not angry at me?" he asks.
She
suddenly smiles and reaches down and to the side, snatching up something. "I've
been looking all over for this one."
"I
was the one who backed your argument against Jim that it was the logical thing
to leave you on the planet. Mister Scott did not."
She
ignores him.
He
looks down. "I should have stayed. My mental disciplines are stronger."
"I
can't find all the pieces." She
is standing with her hands on her hips, looking like his mother when she was
annoyed with him as a child. "I have enough to do."
"All
right." He is not sure what else to say. She looks so aggrieved that he
says, "All right, Christine. You do not have to find all the pieces."
She
rolls her eyes. "Thank you." Then she resumes her pacing. Her left-face
is not as well executed as her right-face, and he can see by her expression
that she knows it.
"No
pieces without perfection." She motions for him to stand up. "Left-face,
mister."
He
does one, is a little rusty—it has been a long time since he drilled.
She
gives him a look of disgust. "You'll never find yours that way." She
practices her left-faces for a few minutes then, once apparently satisfied,
goes back to her pacing.
"I
am sorry, Christine. I need to say that. I know you do not understand what I am
sorry for."
She
keeps pacing.
He
takes a deep breath. Did he really expect absolution? When he looks at Jim, he
thinks his friend blames him in some small measure. But he suspects Jim blames
himself most of all.
"Christine,
if I could do it again differently, I would."
"Slingshot
around the sun, Spock. Just don't let it explode."
He
frowns. That actually made sense—of a sort. Even if Starfleet would never sign
off on a mission to the past just to save one woman. "I would like to. I
would do the computations most carefully."
She
gives him a sweet smile, and he feels a pang of regret that he has had a hand
in what she has come to.
"Your
turns are very precise. Most impressive."
She
lifts her head up and smiles as she continues on her way.
##
Uhura
sits as Christine goes through a deck of imaginary playing cards, discarding
some, keeping others. "Good hand?" she asks.
"I
work with what I'm dealt," Christine says and Uhura smiles—Christine is
getting more lucid, even if the boys don't seem to be noticing.
But
that's okay. The boys have their own issues to deal with, and in Uhura's
opinion they aren't doing a bang-up job of that. So
she'll just quietly continue on with her project and let them do whatever it is
they do with Christine in peace.
Christine
hands a couple pretend-cards to Uhura, who smiles and says, "Thanks."
She places them carefully on the padded floor, then asks, "Did you find
more pieces?"
Christine
looks down. "A few. It's...it's getting harder."
"Why
is that?"
Christine
doesn't answer for a long time, just pretend-shuffles and deals, but Uhura
waits. Finally, she says, "It hurts."
"How
does it hurt?"
Again there's a long silence. Christine reaches
over, scoops up the cards she gave Uhura, smiling apologetically and saying, "I
need them back. Need a full deck."
Uhura
wonders if one of the staff has made a comment about not playing with one. If
she finds out that's the case, someone is going to be talking to the angry end
of Mama Ny.
She
lets Christine play whatever game she thinks she's got going for a few more
hands, then asks again, "How does it hurt, honey?"
"They
left me." Christine's hands start to tremble and suddenly she throws the
pretend cards down, stands up and begins to pace. "I want cookies. Jim
said there'd be cookies, but there never are. When will there be cookies?"
Uhura
can hardly breathe. She waits for Christine to calm down, and it's a long wait,
but finally Christine comes back and sits.
"They
left you?"
Christine
sits very still, as if moving is suddenly dangerous. She lifts her eyes to meet
Uhura's. "I was all alone." Her eyes are too lucid, too knowing, and
Uhura is afraid she might lose her, that this will be too much, so she sits
perfectly still and says nothing at all.
Christine
swallows, takes a deep breath and lets it out slowly. "It hurt." She
drags the word "hurt" out so it's half whisper, half moan, and Uhura
closes her eyes, remembering what she saw on that screen, knowing that hurt
does not begin to cover the agony Christine must have felt.
"Does
it hurt too much to come back?" It's the question everyone wants the
answer to, and once it's out, Uhura isn't sure she should have asked it.
Christine
sinks to the floor, almost boneless. "I wish there were cookies."
"There
will be. Jim will bring you some."
Christine
looks sad. "Pieces gone, too."
"I
know, honey. All your men are broken."
##
Kirk's
in his quarters, about to go see Chris, when his chime sounds. "Come,"
he says.
It's
Uhura. She comes in almost gingerly, and he realizes this is terra incognita
for her.
"Nyota?"
"Sir,
take her cookies."
"Excuse
me?"
"Christine.
She's ready for cookies." She meets his eyes, and he sees pity in
hers—hates that he sees that in hers. No anger though, no blame. At least there's
no blame. "I've been seeing some progress."
"Have
you? Because I haven't."
"Are
you in any shape to look, sir?"
Why
the hell doesn't she call him Jim in private? Has he really never told her to? "Drop
the sir, Nyota. It's Jim."
"Okay.
Jim." She smiles, but it's a sad smile, and he knows she shouldn't have
had to wait till something like this to be allowed to call him by his first
name. "And don't try to deflect. You're not at your best, Jim."
He
sighs. "I'm not at my best because I let the woman I love be tortured. What
the hell do you expect?"
"I
expect you to forgive yourself. She can't hold your pain, too."
He
frowns.
"She
knows you're in pain. And she's in enough of it herself. You and Spock, you're
both beating yourselves up for what happened. Stop it. Now. She doesn't need
that. She needs you to be strong. That's what you are to her—don't you know
that? She told me once. She said being with you was like coming out into the
sun after being inside for years."
He
exhales, a short puff that's almost a laugh. "The sun would explode. Spock
said she was saying the sun would explode if she sang."
"I
know. She said it to me, too. I didn't make the connection at first, either. She's
a doctor, under all that damage. Maybe she sees more than we think."
He
walks over to the viewscreen. "She nearly died. She's insane."
"She's
not as crazy as she was. I can tell you that. She's getting better." She
moves to his side and touches his arm. "Do me a favor. Put your pain and
your guilt aside for tonight. Take her cookies and milk. And talk to her about
the very best times you've had. Nothing painful. Nothing hard. Just the parts
where you were happy and she was loved."
"Okay.
I can do that." He turns and takes her hands in his. "You're a good
friend."
"I'm
her best friend." She squeezes his hands tightly. "And I'm your
friend, too. We're going to get her back. I know it. I have faith. You need to,
too."
"I
used to have faith in myself. In not losing. But on that planet: I lost."
"You
lost a battle. You didn't lose the war yet. But you will if you persist in
wallowing." She gives him a hard look and walks out.
He
looks back out at the stars, then takes a deep breath, puts some steel in his
spine, and heads to the mess.
They're
out of gingersnaps. He gives the cook a hard look and says, "I'll wait."
The
cook wisely does nothing other than get the cookies started. A while later, Kirk's
headed to the cell with a container of gingersnaps and two milk rations—the
kind in safe containers the orderlies won't object to him taking in her cell.
She
looks up when he comes in, smiles when he sits and opens the container of
cookies. She crawls to him like a cat, which would be disturbing if he hadn't
seen her do it in his quarters several times. Chris will get to these cookies
the quickest way—getting to her feet wastes time.
"You
brought them."
"And
milk." He hands her the milk, gives her a grin that he can feel is a real
one, then gives her a cookie.
Her
smile is luminous and she closes her eyes and sniffs the cookie. "Mmmmmmm."
"Fresh
baked. Was afraid I'd have to threaten the cook with court martial to get them,
but get them I did."
She
smiles again, the happy, beautiful smile. "Still warm." She bites
into the cookie carefully, holding her hand under it the way she always does to
catch crumbs. Crumbs usually managed to elude her when they were in bed, no
matter how careful she was.
"I
remember when we first had these in Copenhagen." He stretches his legs
out. "We were at Tivoli Gardens, watching the fountains. You bought these
crazy cookies when I wanted chocolate chip. Then I made you go get more. I
couldn't believe how good they were."
She
takes another cookie and is watching his face as he talks, a soft smile growing.
"We
walked forever that night. Had coffee on the way back to the hotel. That was
the first night we spent together in a hotel room. First night on liberty. We
were stopped by that woman who had lost her way and thought we could help her. And
of course we did. Do-gooders to the end." Is this
happy talk? Or is this just leading back to the planet?
"Amelia."
He
looks at her. Yes. The woman's name was Amelia. He decides to act nonchalant. "Right,
that was her name. Not the brightest of bulbs, but nice. We finally got back to
the hotel—we were so tired. Too tired to make love."
"Always
morning."
He
smiles. "That was your favorite saying. And we put that morning to good
use. The maids wondered if they were ever going to get into the room. Housekeeping
finally called and asked us if we were going to need our room cleaned."
"No
thanks."
Which
is what he said to housekeeping. They made their own bed when they finally went
out for dinner.
She
takes a cookie, hands it to him, then takes another for herself. "Best
cookies."
"Yes,
yes they are." He takes a bite. "Do you remember any place?" He
knows this isn't what Uhura told him to do, but it feels right.
Chris
looks down, then back at him, and he thinks he's lost her because she starts to
sway. But as he watches her, he realizes she's swaying the way the Sapallan fire dancers did, during a diplomatic function on Sapalla Prime.
"They
were amazing dancers." He tries to remember the music. They had one song
that played over and over, no matter who was dancing. For four solid hours. It
got old very fast, and for the rest of the week, she kept humming it to him to
drive him nuts. Ah, he thinks he remembers it, starts to hum it and—
She
laughs.
Something
in him nearly breaks. In happiness. In relief.
She's
in there.
##
Spock
sits down near Christine, who is quiet, appears to be almost meditating. "I
wish to beg forgiveness."
She
does not ask him what for.
"Lieutenant
Uhura has made me aware that perhaps my reasons for coming to see you were as
much for myself as for you. That my methods were more self
serving than beneficial."
She
turns to look at him. Her eyes are calm. "I've found most of the pieces."
"I
see."
"No,
you don't." She smiles and she reaches over and touches his hand, and he
is struck by the lack of chaos in her thoughts. "I found some of yours,
too. It was logical, Spock."
She
lets go of him, and he exhales slowly.
She
has forgiven him.
But
he has still not forgiven himself. "It was unforgivable."
"Logic
often is." She points to the floor in front of her. "They're not
right yet, though. I'm having trouble with the joins."
"Can
I help?"
She
looks at him for a long moment, then gets up, walking around the room, touching
the walls gently, trailing her hand along as she walks, talking softly—too
softly for even him to hear. She works her way back to him, then sits down and
says, "Yes, I think you can."
He
frowns slightly. "I do not under—"
She
is lifting his hand to her face, placing his fingers on the meld points. "I
found all the pieces. Put them back for me?"
He
slips into her mind easily, almost pulled in by the force of her will, of her
need, of the intense energy she has put into getting well while he and Jim have
been too busy feeling guilty to notice. But he feels Uhura's touch all over her
and realizes that Christine did not recover alone.
Although
she would never have begun to get well if she did not have such a wellspring of
determination—the same determination that led her to stay on that planet and
suffer for them.
He
finds the pieces; she did, indeed, locate them all. They are organized well;
she is a scientist to the end and he has no problem working with what he finds,
gently putting the woman he knows back together.
And
when he finishes, he holds her while she weeps because he knows she does not
want to cry with Jim, not this way, not from this horrible pain she needs to
get out.
She
was in agony.
She
was terrified.
She
felt abandoned.
She
wanted to die.
Failing
that, madness was simpler.
But
she loves Jim. And in her way she loves Spock, too. And
he sees Uhura is more than just a friend—she is family.
He
sighs and lets her go. "There is someone who needs to see you."
"There's
someone I need to see." She kisses his cheek. "Thank you."
"You
are most welcome."
"Will
you tell Ny that I'm out? I'll see her as soon as I can."
"She
will understand. Perhaps I will tell her over dinner."
"That
would be an excellent idea."
"Tell
Len before you go to dinner. He checks on me every day. He'll want to know I'm
okay."
He
helps her up and tells the orderlies to let her out, that McCoy can run
diagnostics later.
For
now, he will take her to Jim.
##
Kirk
is in his quarters trying to finish up reports so he can get back to Chris when
his chime rings. "Who the hell is it?" He doesn't look up as whoever
it is walks in. "This better be good."
"I
think you'll think it is."
He
stops working, turns and closes his eyes.
"It's
me. It's okay. You're not dreaming or hallucinating. I'm back."
He
gets up slowly, still afraid that if he moves too fast, he'll wake up and find
out he's fallen asleep at his desk, is dreaming her into his quarters. "Chris?"
She
nods.
"How?"
"Took
me a while to get all my pieces back in order—Spock helped with a meld. I'm
sorry it took me so long."
"You're...sorry?
Oh, sweetheart, no." He forgets about being slow, crosses the room
quickly, pulling her into his arms. "God, no, I'm sorry. I'm so sorry."
"Shhh. It's all right. It's done. And I'm all right. I love
you." She hugs him, and he kisses her neck and her ear and anywhere he can
reach.
He
realizes he's holding her too tightly when she moans, and he pulls away,
saying, "I'm sorry. Chris, I'm sorry. I didn't mean to hurt you." He
moves back, moves off her. God, will he ever stop hurting her?
"Really?
I work my way back to you and you're going to act like this?" She's got
the look he loves, the "take no shit" look that was no doubt what
made Decker pick her as his CMO. "You squeezed too tightly. It's not like
you haven't done that before or you won't do it again." She takes his face
in her hands. "Jim, I'm only going to say this once. Get the hell over it."
He
pulls her back into his arms. "Getting over it, sir."
She
smiles.
"Are
you hungry?"
She
shakes her head. "I want you. I want to be in our bed."
Fuck
the reports. He takes her hand and draws her to the bed. He'll get the hell
over it, as she says, but that doesn't mean he won't be very careful with her,
as he undresses her, as he makes love to her, as he kisses her afterwards, and
cuddles her. As he reaches down and makes her come again, and then again.
Until
she finally drops the act she's put on for his benefit and lets him see her
pain. He loves her for trying to hide it, but he loves her more for letting him
hold her while she cries in his arms.
"Make
love to me," she says as she sobs, reaching down, guiding him inside her.
He
understands what she wants. That she needs the connection while she lets go. He
moves inside her gently, saying, "I love you. I'm sorry. We're okay now. It'll
be okay. I'm so sorry."
When
he comes inside her, he buries his head in her hair and silently thanks
whatever deity is listening for giving her back to him.
They
lie wrapped in each other's arms, closer than he thinks they've ever been, as
if they're afraid it's all going to get yanked away again. He wonders if they'll
ever get over feeling that way.
"I
love you, Jim." She kisses him softly. "I came back for you."
"Thank
you. I was dying without you."
"I
know."
He
has the fleeting thought that she wasn't dying without him, that maybe it was
easier for her in that cell than it will be out here. "I love you, Chris. We'll
be okay."
And
he knows they will. She's strong. Stronger than he is, possibly. She came back.
She came back from that.
And
they love each other.
And
if there's a next time: he won't leave her behind—he'll find another way.
"We
owe Ny a lot," she whispers.
"I
know. Spock and I were useless."
"Not
at the end you weren't. You brought cookies and happy memories. He brought the
meld."
"If
I'd brought cookies earlier...?"
"I
wasn't ready. Neither were you." She relaxes in his arms. "You never
stopped coming. No matter how crazy I was. I love you for that."
"I
didn't come for you when it mattered." He takes a deep breath. He will
take Nyota's advice: he will not wallow. "I won't
make the mistake again."
"We'll
cross that bridge when we come to it."
"No.
We won't. I won't make that mistake again."
She
nuzzles his neck. "Let's just agree that we hope that bridge is way down
the goddamn road."
"Yes,
that I will gladly agree with you on. I never want to see that bridge again."
He pulls her closer. "Thank you for coming back. I know you didn't have
to."
"I
did have to. I love you. And you needed me." She yawns.
Soon
he's yawning, too. He tells the room computer to turn the lights off, and he
lets himself go for the first real sleep he's had since he got Chris back from
the alien. When he wakes, she's sleeping peacefully next to him, and he smiles
before he rouses her with a kiss.
The
reports can still goddamn wait.
FIN